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	<id>https://zh.daoinfo.org/index.php?action=history&amp;feed=atom&amp;title=Journal_of_Daoist_Studies</id>
	<title>Journal of Daoist Studies - 版本历史</title>
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	<updated>2026-06-14T05:44:52Z</updated>
	<subtitle>本wiki的该页面的版本历史</subtitle>
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	<entry>
		<id>https://zh.daoinfo.org/index.php?title=Journal_of_Daoist_Studies&amp;diff=13695&amp;oldid=prev</id>
		<title>2019年5月28日 (二) 08:42 Chishing.lee</title>
		<link rel="alternate" type="text/html" href="https://zh.daoinfo.org/index.php?title=Journal_of_Daoist_Studies&amp;diff=13695&amp;oldid=prev"/>
		<updated>2019-05-28T08:42:42Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;zh&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;←上一版本&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;2019年5月28日 (二) 08:42的版本&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l151&quot; &gt;第151行：&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;第151行：&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Şerban Toader：A Romanian Spiritual Seeker's Growth: From SciFi Readings to Neidan&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Şerban Toader：A Romanian Spiritual Seeker's Growth: From SciFi Readings to Neidan&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Donald D. Davis：Meditation, Taijiquan and Qigong: Evidence for Their Impact on Health and Longevity&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Donald D. Davis：Meditation, Taijiquan and Qigong: Evidence for Their Impact on Health and Longevity&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;br&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;===第十二期（2019年）===&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*Shen Ming-Chang：Laozi and Community Policing&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*Tang Man-to：Ji Kang’s Theory of Music: Two Interpretations&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*Livia Kohn：Armored Gods: Generals, Guardians, Killers, and Protectors&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*William T. Sanders：Yixing and Buddhism in Manuals of Internal Alchemy&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*Scott Park Phillips：The Zhang Sanfeng Conundrum: Taijiquan and Ritual Theater&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*Lichien Hung：Ritual Healing in Taiwan: The Rite for Concealing the Soul&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*Hervé R. F. Louchouarn：Daoist Medicine: Understanding Human Nature and Physiology&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*Denise Meyer：The Taiji Path to Non-Duality: The Universal Energy Dance&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*Hélène Bloch：From Daoist Cultivation to Longevity Market? “Nourishing Life” on Mount Qingcheng&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*Ron Catabia：Blue Mountain: A 20th-century Korean Daoist Master&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*Matheus Oliva da Costa：Daoism in Latin America&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*David McLachlan Jeffrey：Zhuangzi in the Classroom: A Teacher Diary Study&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*Peter Deadman：The Black Pearl and the White Pearl &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*Monk Yun Rou：The Mad Monk Manifesto: A Daoist Cry for a Paradigm Shift Now &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:道教學術期刊]]&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:道教學術期刊]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Chishing.lee</name></author>
		
	</entry>
	<entry>
		<id>https://zh.daoinfo.org/index.php?title=Journal_of_Daoist_Studies&amp;diff=13518&amp;oldid=prev</id>
		<title>Chishing.lee：/* 架構（2019年） */</title>
		<link rel="alternate" type="text/html" href="https://zh.daoinfo.org/index.php?title=Journal_of_Daoist_Studies&amp;diff=13518&amp;oldid=prev"/>
		<updated>2019-02-14T03:35:14Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;架構（2019年）&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;←上一版本&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;2019年2月14日 (四) 03:35的版本&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l5&quot; &gt;第5行：&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;第5行：&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''協調人'''︰Livia Kohn（[[孔維雅]]）、James Miller（苗建時）、Robin Wang（王蓉蓉）&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''協調人'''︰Livia Kohn（[[孔維雅]]）、James Miller（苗建時）、Robin Wang（王蓉蓉）&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''編輯委員會'''︰Robert Allinson（愛蓮心）、Shawn Arthur、Friederike Assandri（李可）、Stephan Peter Bumbacher、Joshua Capitanio、Alan K. L. Chan（陳錦樑）、Shin-yi Chao（[[趙昕毅]]）、Chen Xia（陳霞）、Kenneth Cohen、Donald Davis、Catherine Despeux（戴思博）、Jeffrey Dippmann、Ute Engelhardt、Stephen Eskildsen（蘇德樸）、Elisabeth Friedrichs、Norman Girardot（吉瑞德）、Jonathan Herman、Adeline Herrou（[[謝道琳]]）、Dominique Hertzer、Susan Huang（[[黃士珊]]）、P. J. Ivanhoe（艾文賀）、Jia Jinhua（[[賈晉華]]）、Jiang Sheng（[[姜生]]）、Kang Xiaofei（康笑菲）、Paul Katz（[[康豹]]）、J. Russell Kirkland、Terry Kleeman（[[祁泰履]]）、Louis Komjathy（[[康思奇]]）、Ronnie Littlejohn、Liu Xun（[[劉迅]]）、Lü Xichen（吕息琛）、Victor Mair（梅維恆）、Mei Li（[[梅莉]]）、Mark Meulenbeld（[[梅林寶]]）、Thomas Michael、Christine Mollier（[[穆瑞明]]）、Harrison Moretz、David Palmer（[[宗樹人]]）、Fabrizio Pregadio（玄英）、Michael Puett（普鳴）、James Robson（羅柏松）、Harold D. Roth（羅浩）、Robert Santee、Elijah Siegler、Richard Wang（[[王崗]]）、Michael Winn、Xu Liying（徐李穎）、Yang Lizhi、Yao Ping（姚平）、Zhang Qin（張欽）、Zhang Guangbao（[[張廣保]]）&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''編輯委員會'''︰Robert Allinson（愛蓮心）、Shawn Arthur、Friederike Assandri（李可）、Stephan Peter Bumbacher、Joshua Capitanio、Alan K. L. Chan（陳錦樑）、Shin-yi Chao（[[趙昕毅]]）、Chen Xia（陳霞）、Kenneth Cohen、Donald Davis、Catherine Despeux（&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[ &lt;/ins&gt;戴思博&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;）、Jeffrey Dippmann、Ute Engelhardt、Stephen Eskildsen（蘇德樸）、Elisabeth Friedrichs、Norman Girardot（吉瑞德）、Jonathan Herman、Adeline Herrou（[[謝道琳]]）、Dominique Hertzer、Susan Huang（[[黃士珊]]）、P. J. Ivanhoe（艾文賀）、Jia Jinhua（[[賈晉華]]）、Jiang Sheng（[[姜生]]）、Kang Xiaofei（&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[ &lt;/ins&gt;康笑菲&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;）、Paul Katz（[[康豹]]）、J. Russell Kirkland、Terry Kleeman（[[祁泰履]]）、Louis Komjathy（[[康思奇]]）、Ronnie Littlejohn、Liu Xun（[[劉迅]]）、Lü Xichen（吕息琛）、Victor Mair（梅維恆）、Mei Li（[[梅莉]]）、Mark Meulenbeld（[[梅林寶]]）、Thomas Michael、Christine Mollier（[[穆瑞明]]）、Harrison Moretz、David Palmer（[[宗樹人]]）、Fabrizio Pregadio（&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[ &lt;/ins&gt;玄英&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;）、Michael Puett（普鳴）、James Robson（&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[ &lt;/ins&gt;羅柏松&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;）、Harold D. Roth（羅浩）、Robert Santee、Elijah Siegler、Richard Wang（[[王崗]]）、Michael Winn、Xu Liying（徐李穎）、Yang Lizhi、Yao Ping（姚平）、Zhang Qin（張欽）、Zhang Guangbao（[[張廣保]]）&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==各期目錄==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==各期目錄==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Chishing.lee</name></author>
		
	</entry>
	<entry>
		<id>https://zh.daoinfo.org/index.php?title=Journal_of_Daoist_Studies&amp;diff=13474&amp;oldid=prev</id>
		<title>Chishing.lee：/* 架構（2019年） */</title>
		<link rel="alternate" type="text/html" href="https://zh.daoinfo.org/index.php?title=Journal_of_Daoist_Studies&amp;diff=13474&amp;oldid=prev"/>
		<updated>2019-02-07T08:44:35Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;架構（2019年）&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;zh&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;←上一版本&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;2019年2月7日 (四) 08:44的版本&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l5&quot; &gt;第5行：&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;第5行：&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''協調人'''︰Livia Kohn（[[孔維雅]]）、James Miller（苗建時）、Robin Wang（王蓉蓉）&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''協調人'''︰Livia Kohn（[[孔維雅]]）、James Miller（苗建時）、Robin Wang（王蓉蓉）&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''編輯委員會'''︰Robert Allinson（愛蓮心）、Shawn Arthur、Friederike Assandri（李可）、Stephan Peter Bumbacher、Joshua Capitanio、Alan K. L. Chan（陳錦樑）、Shin-yi Chao（[[趙昕毅]]）、Chen Xia（陳霞）、Kenneth Cohen、Donald Davis、Catherine Despeux（戴思博）、Jeffrey Dippmann、Ute Engelhardt、Stephen Eskildsen（蘇德樸）、Elisabeth Friedrichs、Norman Girardot（吉瑞德）、Jonathan Herman、Adeline Herrou（[[謝道琳]]）、Dominique Hertzer、Susan Huang（[[黃士珊]]）、P. J. Ivanhoe（艾文賀）、Jia Jinhua（賈晉華）、Jiang Sheng（[[姜生]]）、Kang Xiaofei（康笑菲）、Paul Katz（[[康豹]]）、J. Russell Kirkland、Terry Kleeman（祁泰履）、Louis Komjathy（康思奇）、Ronnie Littlejohn、Liu Xun（[[劉迅]]）、Lü Xichen（吕息琛）、Victor Mair（梅維恆）、Mei Li（[[梅莉]]）、Mark Meulenbeld（[[梅林寶]]）、Thomas Michael、Christine Mollier（[[穆瑞明]]）、Harrison Moretz、David Palmer（[[宗樹人]]）、Fabrizio Pregadio（玄英）、Michael Puett（普鳴）、James Robson（羅柏松）、Harold D. Roth（羅浩）、Robert Santee、Elijah Siegler、Richard Wang（[[王崗]]）、Michael Winn、Xu Liying（徐李穎）、Yang Lizhi、Yao Ping（姚平）、Zhang Qin（張欽）、Zhang Guangbao（張廣保）&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''編輯委員會'''︰Robert Allinson（愛蓮心）、Shawn Arthur、Friederike Assandri（李可）、Stephan Peter Bumbacher、Joshua Capitanio、Alan K. L. Chan（陳錦樑）、Shin-yi Chao（[[趙昕毅]]）、Chen Xia（陳霞）、Kenneth Cohen、Donald Davis、Catherine Despeux（戴思博）、Jeffrey Dippmann、Ute Engelhardt、Stephen Eskildsen（蘇德樸）、Elisabeth Friedrichs、Norman Girardot（吉瑞德）、Jonathan Herman、Adeline Herrou（[[謝道琳]]）、Dominique Hertzer、Susan Huang（[[黃士珊]]）、P. J. Ivanhoe（艾文賀）、Jia Jinhua（&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[ &lt;/ins&gt;賈晉華&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;）、Jiang Sheng（[[姜生]]）、Kang Xiaofei（康笑菲）、Paul Katz（[[康豹]]）、J. Russell Kirkland、Terry Kleeman（&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[ &lt;/ins&gt;祁泰履&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;）、Louis Komjathy（&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[ &lt;/ins&gt;康思奇&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;）、Ronnie Littlejohn、Liu Xun（[[劉迅]]）、Lü Xichen（吕息琛）、Victor Mair（梅維恆）、Mei Li（[[梅莉]]）、Mark Meulenbeld（[[梅林寶]]）、Thomas Michael、Christine Mollier（[[穆瑞明]]）、Harrison Moretz、David Palmer（[[宗樹人]]）、Fabrizio Pregadio（玄英）、Michael Puett（普鳴）、James Robson（羅柏松）、Harold D. Roth（羅浩）、Robert Santee、Elijah Siegler、Richard Wang（[[王崗]]）、Michael Winn、Xu Liying（徐李穎）、Yang Lizhi、Yao Ping（姚平）、Zhang Qin（張欽）、Zhang Guangbao（&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[ &lt;/ins&gt;張廣保&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;）&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==各期目錄==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==各期目錄==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===第一期（2008年）===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===第一期（2008年）===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Chishing.lee</name></author>
		
	</entry>
	<entry>
		<id>https://zh.daoinfo.org/index.php?title=Journal_of_Daoist_Studies&amp;diff=13473&amp;oldid=prev</id>
		<title>2019年2月7日 (四) 08:43 Chishing.lee</title>
		<link rel="alternate" type="text/html" href="https://zh.daoinfo.org/index.php?title=Journal_of_Daoist_Studies&amp;diff=13473&amp;oldid=prev"/>
		<updated>2019-02-07T08:43:54Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;zh&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;←上一版本&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;2019年2月7日 (四) 08:43的版本&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot; &gt;第2行：&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;第2行：&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''Journal of Daoist Studies'''是一本在2008年創刊，並由夏威夷大學出版社出版的年度刊物，致力於從各個不同面向對道教進行學術探究。每期都有三個主要部分：關於歷史、哲學、藝術、社會等的學術論文（8,500字為限）；關於中國和世界其他地區當前活動議題的當代實踐論壇（5000字為限）；和新聞領域、出版刊物、論文、會議和網站。&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''Journal of Daoist Studies'''是一本在2008年創刊，並由夏威夷大學出版社出版的年度刊物，致力於從各個不同面向對道教進行學術探究。每期都有三個主要部分：關於歷史、哲學、藝術、社會等的學術論文（8,500字為限）；關於中國和世界其他地區當前活動議題的當代實踐論壇（5000字為限）；和新聞領域、出版刊物、論文、會議和網站。&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==架構==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==架構 &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;（2019年）&lt;/ins&gt;==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''協調人'''︰Livia Kohn（[[孔維雅]]）、James Miller（苗建時）、Robin Wang（王蓉蓉）&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''協調人'''︰Livia Kohn（[[孔維雅]]）、James Miller（苗建時）、Robin Wang（王蓉蓉）&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''編輯委員會'''︰Robert Allinson（愛蓮心）、Shawn Arthur、Friederike Assandri（李可 &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;）、Brigitte Baptandier（[[貝桂菊]]）、Bede Bidlack（畢智山 &lt;/del&gt;）、Stephan Peter Bumbacher、Joshua Capitanio、Alan K. L. Chan（陳錦樑）、Shin-yi Chao（[[趙昕毅]]）、Chen Xia（陳霞）、Kenneth Cohen &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;、Paul Crowe（高保羅）、Paul D’Ambrosio（德安博） &lt;/del&gt;、Donald Davis、Catherine Despeux（戴思博）、Jeffrey Dippmann &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;、Galia Dor &lt;/del&gt;、Ute Engelhardt、Stephen Eskildsen（蘇德樸） &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;、Georges Favraud &lt;/del&gt;、Elisabeth Friedrichs、Norman Girardot（吉瑞德）、Jonathan Herman、Adeline Herrou（[[謝道琳]]） &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;、Shih-shan Susan &lt;/del&gt;Huang（[[黃士珊]]）、P. J. Ivanhoe（艾文賀）、Jia Jinhua（賈晉華）、Jiang Sheng（[[姜生]]）、Kang Xiaofei（康笑菲）、Paul Katz（[[康豹]]）、Terry Kleeman（祁泰履）、Louis Komjathy（康思奇）、Ronnie Littlejohn、Liu Xun（[[劉迅]]）、Lü Xichen（吕息琛）、Victor Mair（梅維恆）、Mark Meulenbeld（[[梅林寶]]）、Thomas Michael &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;、Hans-Georg Moeller &lt;/del&gt;、Christine Mollier（[[穆瑞明]]）、Harrison Moretz、David Palmer（[[宗樹人]]）、Fabrizio Pregadio（玄英）、Michael Puett（普鳴）、James Robson（羅柏松）、Harold D. Roth（羅浩） &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;、N. Harry Rothschild &lt;/del&gt;、Robert Santee、Elijah Siegler &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;、Sharon Y. Small、Thomas E. Smith &lt;/del&gt;、Richard Wang（[[王崗]]）、Michael Winn、Yao Ping（姚平）&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''編輯委員會'''︰Robert Allinson（愛蓮心）、Shawn Arthur、Friederike Assandri（李可）、Stephan Peter Bumbacher、Joshua Capitanio、Alan K. L. Chan（陳錦樑）、Shin-yi Chao（[[趙昕毅]]）、Chen Xia（陳霞）、Kenneth Cohen、Donald Davis、Catherine Despeux（戴思博）、Jeffrey Dippmann、Ute Engelhardt、Stephen Eskildsen（蘇德樸）、Elisabeth Friedrichs、Norman Girardot（吉瑞德）、Jonathan Herman、Adeline Herrou（[[謝道琳]]） &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;、Dominique Hertzer、Susan &lt;/ins&gt;Huang（[[黃士珊]]）、P. J. Ivanhoe（艾文賀）、Jia Jinhua（賈晉華）、Jiang Sheng（[[姜生]]）、Kang Xiaofei（康笑菲）、Paul Katz（[[康豹]]） &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;、J. Russell Kirkland &lt;/ins&gt;、Terry Kleeman（祁泰履）、Louis Komjathy（康思奇）、Ronnie Littlejohn、Liu Xun（[[劉迅]]）、Lü Xichen（吕息琛）、Victor Mair（梅維恆 &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;）、Mei Li（[[梅莉]] &lt;/ins&gt;）、Mark Meulenbeld（[[梅林寶]]）、Thomas Michael、Christine Mollier（[[穆瑞明]]）、Harrison Moretz、David Palmer（[[宗樹人]]）、Fabrizio Pregadio（玄英）、Michael Puett（普鳴）、James Robson（羅柏松）、Harold D. Roth（羅浩）、Robert Santee、Elijah Siegler、Richard Wang（[[王崗]]）、Michael Winn &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;、Xu Liying（徐李穎）、Yang Lizhi &lt;/ins&gt;、Yao Ping（姚平 &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;）、Zhang Qin（張欽）、Zhang Guangbao（張廣保 &lt;/ins&gt;）&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==各期目錄==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==各期目錄==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===第一期（2008年）===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===第一期（2008年）===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Chishing.lee</name></author>
		
	</entry>
	<entry>
		<id>https://zh.daoinfo.org/index.php?title=Journal_of_Daoist_Studies&amp;diff=13472&amp;oldid=prev</id>
		<title>2019年2月7日 (四) 08:23 Chishing.lee</title>
		<link rel="alternate" type="text/html" href="https://zh.daoinfo.org/index.php?title=Journal_of_Daoist_Studies&amp;diff=13472&amp;oldid=prev"/>
		<updated>2019-02-07T08:23:31Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;zh&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;←上一版本&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;2019年2月7日 (四) 08:23的版本&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l5&quot; &gt;第5行：&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;第5行：&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''協調人'''︰Livia Kohn（[[孔維雅]]）、James Miller（苗建時）、Robin Wang（王蓉蓉）&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''協調人'''︰Livia Kohn（[[孔維雅]]）、James Miller（苗建時）、Robin Wang（王蓉蓉）&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''編輯委員會'''︰Robert Allinson（愛蓮心）、Shawn Arthur、Friederike Assandri（李可）、Brigitte Baptandier（[[貝桂菊]]）、Bede Bidlack（畢智山）、Stephan Peter Bumbacher、Joshua Capitanio、Alan K. L. Chan（陳錦樑）、Shin-yi Chao（[[趙昕毅]]）、Chen Xia（陳霞）、Kenneth Cohen、Paul Crowe（高保羅）、Paul D’Ambrosio（德安博）、Donald Davis、Catherine Despeux（戴思博）、Jeffrey Dippmann、Galia Dor、Ute Engelhardt、Stephen Eskildsen（蘇德樸）、Georges Favraud、Elisabeth Friedrichs、Norman Girardot（吉瑞德）、Jonathan Herman、Adeline Herrou（[[謝道琳]]）、Shih-shan Susan Huang（[[黃士珊]]）、P. J. Ivanhoe（艾文賀）、Jia Jinhua（賈晉華）、Jiang Sheng（[[姜生]]）、Kang Xiaofei（康笑菲）、Paul Katz（[[康豹]]）、Terry Kleeman（祁泰履）、Louis Komjathy（康思奇）、Ronnie Littlejohn、Liu Xun（[[劉迅]]）、Lü Xichen（吕息琛）、Victor Mair（梅維恆）、Mark Meulenbeld（[[梅林寶]]）、Thomas Michael、Hans-Georg Moeller、Christine Mollier（[[穆瑞明]]）、Harrison Moretz、David Palmer（[[宗樹人]]）、Fabrizio Pregadio（玄英）、Michael Puett（普鳴）、James Robson（羅柏松）、Harold D. Roth（羅浩）、N. Harry Rothschild、Robert Santee、Elijah Siegler、Sharon Y. Small、Thomas E. Smith &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;SmithRichard &lt;/del&gt;Wang（[[王崗]]）、Michael Winn、Yao Ping（姚平）&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''編輯委員會'''︰Robert Allinson（愛蓮心）、Shawn Arthur、Friederike Assandri（李可）、Brigitte Baptandier（[[貝桂菊]]）、Bede Bidlack（畢智山）、Stephan Peter Bumbacher、Joshua Capitanio、Alan K. L. Chan（陳錦樑）、Shin-yi Chao（[[趙昕毅]]）、Chen Xia（陳霞）、Kenneth Cohen、Paul Crowe（高保羅）、Paul D’Ambrosio（德安博）、Donald Davis、Catherine Despeux（戴思博）、Jeffrey Dippmann、Galia Dor、Ute Engelhardt、Stephen Eskildsen（蘇德樸）、Georges Favraud、Elisabeth Friedrichs、Norman Girardot（吉瑞德）、Jonathan Herman、Adeline Herrou（[[謝道琳]]）、Shih-shan Susan Huang（[[黃士珊]]）、P. J. Ivanhoe（艾文賀）、Jia Jinhua（賈晉華）、Jiang Sheng（[[姜生]]）、Kang Xiaofei（康笑菲）、Paul Katz（[[康豹]]）、Terry Kleeman（祁泰履）、Louis Komjathy（康思奇）、Ronnie Littlejohn、Liu Xun（[[劉迅]]）、Lü Xichen（吕息琛）、Victor Mair（梅維恆）、Mark Meulenbeld（[[梅林寶]]）、Thomas Michael、Hans-Georg Moeller、Christine Mollier（[[穆瑞明]]）、Harrison Moretz、David Palmer（[[宗樹人]]）、Fabrizio Pregadio（玄英）、Michael Puett（普鳴）、James Robson（羅柏松）、Harold D. Roth（羅浩）、N. Harry Rothschild、Robert Santee、Elijah Siegler、Sharon Y. Small、Thomas E. Smith &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;、Richard &lt;/ins&gt;Wang（[[王崗]]）、Michael Winn、Yao Ping（姚平）&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==各期目錄==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==各期目錄==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===第一期（2008年）===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===第一期（2008年）===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Chishing.lee</name></author>
		
	</entry>
	<entry>
		<id>https://zh.daoinfo.org/index.php?title=Journal_of_Daoist_Studies&amp;diff=13451&amp;oldid=prev</id>
		<title>2019年2月5日 (二) 15:06 Chishing.lee</title>
		<link rel="alternate" type="text/html" href="https://zh.daoinfo.org/index.php?title=Journal_of_Daoist_Studies&amp;diff=13451&amp;oldid=prev"/>
		<updated>2019-02-05T15:06:04Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;zh&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;←上一版本&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;2019年2月5日 (二) 15:06的版本&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l6&quot; &gt;第6行：&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;第6行：&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''編輯委員會'''︰Robert Allinson（愛蓮心）、Shawn Arthur、Friederike Assandri（李可）、Brigitte Baptandier（[[貝桂菊]]）、Bede Bidlack（畢智山）、Stephan Peter Bumbacher、Joshua Capitanio、Alan K. L. Chan（陳錦樑）、Shin-yi Chao（[[趙昕毅]]）、Chen Xia（陳霞）、Kenneth Cohen、Paul Crowe（高保羅）、Paul D’Ambrosio（德安博）、Donald Davis、Catherine Despeux（戴思博）、Jeffrey Dippmann、Galia Dor、Ute Engelhardt、Stephen Eskildsen（蘇德樸）、Georges Favraud、Elisabeth Friedrichs、Norman Girardot（吉瑞德）、Jonathan Herman、Adeline Herrou（[[謝道琳]]）、Shih-shan Susan Huang（[[黃士珊]]）、P. J. Ivanhoe（艾文賀）、Jia Jinhua（賈晉華）、Jiang Sheng（[[姜生]]）、Kang Xiaofei（康笑菲）、Paul Katz（[[康豹]]）、Terry Kleeman（祁泰履）、Louis Komjathy（康思奇）、Ronnie Littlejohn、Liu Xun（[[劉迅]]）、Lü Xichen（吕息琛）、Victor Mair（梅維恆）、Mark Meulenbeld（[[梅林寶]]）、Thomas Michael、Hans-Georg Moeller、Christine Mollier（[[穆瑞明]]）、Harrison Moretz、David Palmer（[[宗樹人]]）、Fabrizio Pregadio（玄英）、Michael Puett（普鳴）、James Robson（羅柏松）、Harold D. Roth（羅浩）、N. Harry Rothschild、Robert Santee、Elijah Siegler、Sharon Y. Small、Thomas E. Smith SmithRichard Wang（[[王崗]]）、Michael Winn、Yao Ping（姚平）&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;'''編輯委員會'''︰Robert Allinson（愛蓮心）、Shawn Arthur、Friederike Assandri（李可）、Brigitte Baptandier（[[貝桂菊]]）、Bede Bidlack（畢智山）、Stephan Peter Bumbacher、Joshua Capitanio、Alan K. L. Chan（陳錦樑）、Shin-yi Chao（[[趙昕毅]]）、Chen Xia（陳霞）、Kenneth Cohen、Paul Crowe（高保羅）、Paul D’Ambrosio（德安博）、Donald Davis、Catherine Despeux（戴思博）、Jeffrey Dippmann、Galia Dor、Ute Engelhardt、Stephen Eskildsen（蘇德樸）、Georges Favraud、Elisabeth Friedrichs、Norman Girardot（吉瑞德）、Jonathan Herman、Adeline Herrou（[[謝道琳]]）、Shih-shan Susan Huang（[[黃士珊]]）、P. J. Ivanhoe（艾文賀）、Jia Jinhua（賈晉華）、Jiang Sheng（[[姜生]]）、Kang Xiaofei（康笑菲）、Paul Katz（[[康豹]]）、Terry Kleeman（祁泰履）、Louis Komjathy（康思奇）、Ronnie Littlejohn、Liu Xun（[[劉迅]]）、Lü Xichen（吕息琛）、Victor Mair（梅維恆）、Mark Meulenbeld（[[梅林寶]]）、Thomas Michael、Hans-Georg Moeller、Christine Mollier（[[穆瑞明]]）、Harrison Moretz、David Palmer（[[宗樹人]]）、Fabrizio Pregadio（玄英）、Michael Puett（普鳴）、James Robson（羅柏松）、Harold D. Roth（羅浩）、N. Harry Rothschild、Robert Santee、Elijah Siegler、Sharon Y. Small、Thomas E. Smith SmithRichard Wang（[[王崗]]）、Michael Winn、Yao Ping（姚平）&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;==各期目錄==&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==第一期（2008年）==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;=&lt;/ins&gt;==第一期（2008年）&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;=&lt;/ins&gt;==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Friederike Assandri：Laozi’s Eclipse and Comeback: The Narrative Frame of the Benji jing&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Friederike Assandri：Laozi’s Eclipse and Comeback: The Narrative Frame of the Benji jing&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Stephen Eskildsen：Do Immortals Kill?: The Controversy Surrounding Lü Dongbin&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Stephen Eskildsen：Do Immortals Kill?: The Controversy Surrounding Lü Dongbin&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l22&quot; &gt;第22行：&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;第22行：&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==第二期（2009年）==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;=&lt;/ins&gt;==第二期（2009年）&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;=&lt;/ins&gt;==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Taehyun Kim：Reading Zhuangzi Eco-Philosophically&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Taehyun Kim：Reading Zhuangzi Eco-Philosophically&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Shawn Arthur：Eating Your Way to Immortality: Early Daoist Self-Cultivation Diets&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Shawn Arthur：Eating Your Way to Immortality: Early Daoist Self-Cultivation Diets&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l34&quot; &gt;第34行：&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;第34行：&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Brian L. Kennedy, Elizabeth Nai-Jia Guo：Taiwanese Daoist Temple Parades and their Martial Motifs&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Brian L. Kennedy, Elizabeth Nai-Jia Guo：Taiwanese Daoist Temple Parades and their Martial Motifs&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==第三期（2010年）==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;=&lt;/ins&gt;==第三期（2010年）&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;=&lt;/ins&gt;==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Alan K. L. Chan：Affectivity and the Nature of the Sage: Gleanings from A Tang Daoist Master&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Alan K. L. Chan：Affectivity and the Nature of the Sage: Gleanings from A Tang Daoist Master&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Norman Harry Rothschild：Wu Zhao and the Queen Mother of the West&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Norman Harry Rothschild：Wu Zhao and the Queen Mother of the West&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l46&quot; &gt;第46行：&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;第46行：&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Jean DeBernardi：Wudang Mountain and the Modernization of Daoism&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Jean DeBernardi：Wudang Mountain and the Modernization of Daoism&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==第四期（2011年）==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;=&lt;/ins&gt;==第四期（2011年）&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;=&lt;/ins&gt;==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Jeongsoo Shin：From Paradise to Garden: The Construction of Penglai and Xuanpu&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Jeongsoo Shin：From Paradise to Garden: The Construction of Penglai and Xuanpu&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Shih-Shan Susan Huang：Daoist Imagery of Body and Cosmos, Part 2: Body Worms and Internal Alchemy&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Shih-Shan Susan Huang：Daoist Imagery of Body and Cosmos, Part 2: Body Worms and Internal Alchemy&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l59&quot; &gt;第59行：&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;第59行：&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Suzanne Cahill：What to Fear and How to Protect Yourself: Daoism and Hong Kong Horror Movies&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Suzanne Cahill：What to Fear and How to Protect Yourself: Daoism and Hong Kong Horror Movies&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==第五期（2012年）==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;=&lt;/ins&gt;==第五期（2012年）&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;=&lt;/ins&gt;==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Jennifer Lundin Ritchie：Guodian Laozi and Taiyi Sheng Shui: A Cognitive Science Reading&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Jennifer Lundin Ritchie：Guodian Laozi and Taiyi Sheng Shui: A Cognitive Science Reading&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Lucas Weiss：Rectifying the Deep Structures of the Earth: Sima Chengzhen and the Standardization of Daoist Sacred Geography in the Tang&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Lucas Weiss：Rectifying the Deep Structures of the Earth: Sima Chengzhen and the Standardization of Daoist Sacred Geography in the Tang&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l71&quot; &gt;第71行：&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;第71行：&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Sung-Hae Kim：The Gourd of Small Penglai: Environmental Ethics in Quanzhen Poetry&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Sung-Hae Kim：The Gourd of Small Penglai: Environmental Ethics in Quanzhen Poetry&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==第六期（2013年）==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;=&lt;/ins&gt;==第六期（2013年）&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;=&lt;/ins&gt;==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Galia Dor：The Chinese Gate: A Unique Void for Inner Transformation&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Galia Dor：The Chinese Gate: A Unique Void for Inner Transformation&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Mihwa Choi：Materializing Salvation: A Liturgical Program and Its Agenda&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Mihwa Choi：Materializing Salvation: A Liturgical Program and Its Agenda&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l84&quot; &gt;第84行：&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;第84行：&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Jeanne White：Flowing in Life with the Yijing&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Jeanne White：Flowing in Life with the Yijing&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==第七期（2014年）==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;=&lt;/ins&gt;==第七期（2014年）&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;=&lt;/ins&gt;==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Paul D’Ambrosio：Blending Dao: An Analysis of Images in the Daode jing&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Paul D’Ambrosio：Blending Dao: An Analysis of Images in the Daode jing&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Thomas E. Smith：The Many Faces of Master Redpine&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Thomas E. Smith：The Many Faces of Master Redpine&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l97&quot; &gt;第97行：&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;第97行：&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Martin Schönfeld：Laozi and the New Green Paradigm&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Martin Schönfeld：Laozi and the New Green Paradigm&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==第八期（2015年）==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;=&lt;/ins&gt;==第八期（2015年）&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;=&lt;/ins&gt;==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Paul Fischer：The Creation of Daoism&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Paul Fischer：The Creation of Daoism&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Thomas Michael：Ge Hong’s Xian: Private Hermits and Public Alchemists&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Thomas Michael：Ge Hong’s Xian: Private Hermits and Public Alchemists&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l111&quot; &gt;第111行：&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;第111行：&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Michael Saso：The Daoist Jiao Celebration&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Michael Saso：The Daoist Jiao Celebration&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==第九期（2016年）==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;=&lt;/ins&gt;==第九期（2016年）&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;=&lt;/ins&gt;==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Erica Brindley：Spontaneous Arising: Creative Change in the Hengxian&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Erica Brindley：Spontaneous Arising: Creative Change in the Hengxian&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Steven Burik：Comparative Resources: Continental Philosophy and Daoism&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Steven Burik：Comparative Resources: Continental Philosophy and Daoism&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l124&quot; &gt;第124行：&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;第124行：&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Yanxia Zhao：Daoist Longevity and the Aging Society&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Yanxia Zhao：Daoist Longevity and the Aging Society&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==第十期（2017年）==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;=&lt;/ins&gt;==第十期（2017年）&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;=&lt;/ins&gt;==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Yumin Ao, Ulrich Steinvorth：Zhuangzi and Wittgenstein on the Self&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Yumin Ao, Ulrich Steinvorth：Zhuangzi and Wittgenstein on the Self&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Thomas E. Smith：Xu Mi’s Network: A Different Perspective on Early Higher Clarity Daoism&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Thomas E. Smith：Xu Mi’s Network: A Different Perspective on Early Higher Clarity Daoism&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l138&quot; &gt;第138行：&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;第138行：&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Wei Yanli, Livia Kohn：The Caishan Goddess Temple: Then and Now&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Wei Yanli, Livia Kohn：The Caishan Goddess Temple: Then and Now&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;br&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==第十一期（2018年）==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;=&lt;/ins&gt;==第十一期（2018年）&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;=&lt;/ins&gt;==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Sharon Y. Small：A Daoist Exploration of Shenming&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Sharon Y. Small：A Daoist Exploration of Shenming&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Gabriele Libera：Losing What &amp;quot;Me&amp;quot;?: An Existentialist Look at the Ego in the Zhuangzi&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Gabriele Libera：Losing What &amp;quot;Me&amp;quot;?: An Existentialist Look at the Ego in the Zhuangzi&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Chishing.lee</name></author>
		
	</entry>
	<entry>
		<id>https://zh.daoinfo.org/index.php?title=Journal_of_Daoist_Studies&amp;diff=13450&amp;oldid=prev</id>
		<title>Chishing.lee：创建页面，内容为“thumb| '''Journal of Daoist Studies'''是一本在2008年創刊，並由夏威夷大學出版社出版的年度刊物...”</title>
		<link rel="alternate" type="text/html" href="https://zh.daoinfo.org/index.php?title=Journal_of_Daoist_Studies&amp;diff=13450&amp;oldid=prev"/>
		<updated>2019-02-05T14:57:19Z</updated>

		<summary type="html">&lt;p&gt;创建页面，内容为“&lt;a href=&quot;/wiki/File:Journal_of_Daoist_Studies2.jpg&quot; title=&quot;File:Journal of Daoist Studies2.jpg&quot;&gt;300px|thumb|&lt;/a&gt; &amp;#039;&amp;#039;&amp;#039;Journal of Daoist Studies&amp;#039;&amp;#039;&amp;#039;是一本在2008年創刊，並由夏威夷大學出版社出版的年度刊物...”&lt;/p&gt;
&lt;p&gt;&lt;b&gt;新页面&lt;/b&gt;&lt;/p&gt;&lt;div&gt;[[File: Journal of Daoist Studies2.jpg|300px|thumb|]]&lt;br /&gt;
'''Journal of Daoist Studies'''是一本在2008年創刊，並由夏威夷大學出版社出版的年度刊物，致力於從各個不同面向對道教進行學術探究。每期都有三個主要部分：關於歷史、哲學、藝術、社會等的學術論文（8,500字為限）；關於中國和世界其他地區當前活動議題的當代實踐論壇（5000字為限）；和新聞領域、出版刊物、論文、會議和網站。&lt;br /&gt;
&lt;br /&gt;
==架構==&lt;br /&gt;
'''協調人'''︰Livia Kohn（[[孔維雅]]）、James Miller（苗建時）、Robin Wang（王蓉蓉）&lt;br /&gt;
&lt;br /&gt;
'''編輯委員會'''︰Robert Allinson（愛蓮心）、Shawn Arthur、Friederike Assandri（李可）、Brigitte Baptandier（[[貝桂菊]]）、Bede Bidlack（畢智山）、Stephan Peter Bumbacher、Joshua Capitanio、Alan K. L. Chan（陳錦樑）、Shin-yi Chao（[[趙昕毅]]）、Chen Xia（陳霞）、Kenneth Cohen、Paul Crowe（高保羅）、Paul D’Ambrosio（德安博）、Donald Davis、Catherine Despeux（戴思博）、Jeffrey Dippmann、Galia Dor、Ute Engelhardt、Stephen Eskildsen（蘇德樸）、Georges Favraud、Elisabeth Friedrichs、Norman Girardot（吉瑞德）、Jonathan Herman、Adeline Herrou（[[謝道琳]]）、Shih-shan Susan Huang（[[黃士珊]]）、P. J. Ivanhoe（艾文賀）、Jia Jinhua（賈晉華）、Jiang Sheng（[[姜生]]）、Kang Xiaofei（康笑菲）、Paul Katz（[[康豹]]）、Terry Kleeman（祁泰履）、Louis Komjathy（康思奇）、Ronnie Littlejohn、Liu Xun（[[劉迅]]）、Lü Xichen（吕息琛）、Victor Mair（梅維恆）、Mark Meulenbeld（[[梅林寶]]）、Thomas Michael、Hans-Georg Moeller、Christine Mollier（[[穆瑞明]]）、Harrison Moretz、David Palmer（[[宗樹人]]）、Fabrizio Pregadio（玄英）、Michael Puett（普鳴）、James Robson（羅柏松）、Harold D. Roth（羅浩）、N. Harry Rothschild、Robert Santee、Elijah Siegler、Sharon Y. Small、Thomas E. Smith SmithRichard Wang（[[王崗]]）、Michael Winn、Yao Ping（姚平）&lt;br /&gt;
&lt;br /&gt;
==第一期（2008年）==&lt;br /&gt;
*Friederike Assandri：Laozi’s Eclipse and Comeback: The Narrative Frame of the Benji jing&lt;br /&gt;
*Stephen Eskildsen：Do Immortals Kill?: The Controversy Surrounding Lü Dongbin&lt;br /&gt;
*Louis Komjathy：Mapping the Daoist Body, Part One: The Neijing tu in History&lt;br /&gt;
*Robert Santee：Stress Management and the Zhuangzi&lt;br /&gt;
*James D. Sellmann：Establishing the Altar: The Realized Writ of the Announcement Rite in the Grand Jiao&lt;br /&gt;
*Xun Liu：Profile of a Quanzhen Doctor: Abbot Huang Zongsheng of Wuhan’s Monastery of Eternal Spring&lt;br /&gt;
*Scott P. Phillips：Portrait of an American Daoist: Charles Belyea / Liu Ming&lt;br /&gt;
*Robin R. Wang：Daoists on the Southern Marchmount&lt;br /&gt;
*Michael Rinaldini：How I Became a Daoist Priest&lt;br /&gt;
*Livia Kohn：Grand Offering in Hong Kong&lt;br /&gt;
*Elijah Siegler：Field Notes: Taoist Tai Chi Society &amp;amp; Fung Loy Kok Temple&lt;br /&gt;
*Michael Winn：Daoist Neidan: Lineage and Secrecy Challenges for Western Adepts&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
&lt;br /&gt;
==第二期（2009年）==&lt;br /&gt;
*Taehyun Kim：Reading Zhuangzi Eco-Philosophically&lt;br /&gt;
*Shawn Arthur：Eating Your Way to Immortality: Early Daoist Self-Cultivation Diets&lt;br /&gt;
*Louis Komjathy：Mapping the Daoist Body, Part Two: The Text of the Neijing Tu&lt;br /&gt;
*Volker Olles：Lord Lao’s Mountain: From Celestial Master Daoism to Contemporary Daoist Practice&lt;br /&gt;
*Wan-Li Ho：Daoist Nuns in Taiwan: A Case Study of the Gaoxiong Daode yuan&lt;br /&gt;
*Harrison Moretz：The Dao Is Not for Sale &lt;br /&gt;
*Michael Winn：Daoist Methods of Dissolving the Heart-Mind&lt;br /&gt;
*Charlotte Furth：Exploring Daoist Women’s Meditation&lt;br /&gt;
*Yang Lizhi, Todd Stoll, Chen Mei：Mt. Wudang and Daoism&lt;br /&gt;
*Brian L. Kennedy, Elizabeth Nai-Jia Guo：Taiwanese Daoist Temple Parades and their Martial Motifs&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
==第三期（2010年）==&lt;br /&gt;
*Alan K. L. Chan：Affectivity and the Nature of the Sage: Gleanings from A Tang Daoist Master&lt;br /&gt;
*Norman Harry Rothschild：Wu Zhao and the Queen Mother of the West&lt;br /&gt;
*Shih-Shan Susan Huang：Daoist Imagery of Body and Cosmos, Part 1: Body Gods and Starry Travel&lt;br /&gt;
*Kenneth R. Robinson：Daoist Geographies in Three Korean World Maps&lt;br /&gt;
*Adeline Herrou：A Day in the Life of Daoist Monk&lt;br /&gt;
*Elliot Cohen：Psychology and Daoism: Resisting Psychologization—Assisting Dialogue&lt;br /&gt;
*Seth Harter：Practice in the Classroom: To Taiji or Not to Taiji&lt;br /&gt;
*Mark Johnson：Ni Hua-Ching’s Americanization of the “Eternal Breath of Dao”&lt;br /&gt;
*Elena Valussi：Women’s Qigong in America: Tradition, Adaptation, and New Trends&lt;br /&gt;
*Jean DeBernardi：Wudang Mountain and the Modernization of Daoism&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
==第四期（2011年）==&lt;br /&gt;
*Jeongsoo Shin：From Paradise to Garden: The Construction of Penglai and Xuanpu&lt;br /&gt;
*Shih-Shan Susan Huang：Daoist Imagery of Body and Cosmos, Part 2: Body Worms and Internal Alchemy&lt;br /&gt;
*Stephen Jackowicz：Daoist Incantations for Acupuncture&lt;br /&gt;
*M. Cristina Zaccarini：Daoist-inspired Healing in Daily Life: Lü Dongbin and the Multifaceted Roles of Chinese Barbers&lt;br /&gt;
*Georges Favraud：A Daoist Career in Modern China: Wang Xin’an of the Southern Peak1&lt;br /&gt;
*Mary I. Bockover：Daoism, Ethics, and Faith: The Invisible “Goodness” of Life&lt;br /&gt;
*Bill Hulet：Daoism in the West: Following Buddhist and Christian Models?&lt;br /&gt;
*Imke Bock-Möbius：Daoism and Entirety in Quantum Physics&lt;br /&gt;
*Mary Kay Ryan：Infusing Chinese Medicine with Spirit: Daoism, Shamanism, &amp;amp; Chinese Medicine in the Modern World&lt;br /&gt;
*Rita Egizii：Daoist Principles as a Solution for Sustainable Business&lt;br /&gt;
*Suzanne Cahill：What to Fear and How to Protect Yourself: Daoism and Hong Kong Horror Movies&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
==第五期（2012年）==&lt;br /&gt;
*Jennifer Lundin Ritchie：Guodian Laozi and Taiyi Sheng Shui: A Cognitive Science Reading&lt;br /&gt;
*Lucas Weiss：Rectifying the Deep Structures of the Earth: Sima Chengzhen and the Standardization of Daoist Sacred Geography in the Tang&lt;br /&gt;
*Paul Crowe：Nature, Motion, and Stillness: Li Daochun’s Vision of the Three Teachings&lt;br /&gt;
*Ian Johnson：Two Sides of a Mountain: The Modern Transformation of Maoshan1&lt;br /&gt;
*Bede Benjamin Bidlack：Alchemy and Martial Arts: Wang Yannian’s Gold Mountain Daoism1&lt;br /&gt;
*Yves Réquéna：The Biochemistry of Internal Alchemy: Decapitating the Red Dragon&lt;br /&gt;
*Dylan Bolles, Lynette Hunter：Scoring Daoist Energy: A Rhetoric of Collaboration1&lt;br /&gt;
*Felix Breuer：Feldenkrais’ Spontaneous Action and Laozi’s Wuwei&lt;br /&gt;
*Patricia Eichenbaum Karetzky：Daoist Themes by Female Artists&lt;br /&gt;
*Sung-Hae Kim：The Gourd of Small Penglai: Environmental Ethics in Quanzhen Poetry&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
==第六期（2013年）==&lt;br /&gt;
*Galia Dor：The Chinese Gate: A Unique Void for Inner Transformation&lt;br /&gt;
*Mihwa Choi：Materializing Salvation: A Liturgical Program and Its Agenda&lt;br /&gt;
*Elmar Oberfrank：Secretly Transmitted Direct Pointers to the Great Elixir&lt;br /&gt;
*Daniel M. Murray, James Miller：The Daoist Society of Brazil and the Globalization of Orthodox Unity Daoism&lt;br /&gt;
*Xu Liying：Daoist Temples in Modern City Life: The Singapore City God Temple&lt;br /&gt;
*Sharon Small：New Visions of the Zhuangzi&lt;br /&gt;
*Michael M. Tophoff：Daoist Principles in the Martial Arts: Their Relevance for Illness Prevention&lt;br /&gt;
*Adam D. Frank：Enacting a Daoist Aesthetic through Taiji quan Training&lt;br /&gt;
*Gerhard Milbrat, Knut Gollenbeck：Daoist Cultivation in the Zhongnan Mountains&lt;br /&gt;
*Steve Jackowicz：Om Mani Padme Hum in Daoist Revision&lt;br /&gt;
*Jeanne White：Flowing in Life with the Yijing&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
==第七期（2014年）==&lt;br /&gt;
*Paul D’Ambrosio：Blending Dao: An Analysis of Images in the Daode jing&lt;br /&gt;
*Thomas E. Smith：The Many Faces of Master Redpine&lt;br /&gt;
*David Boyd：The “Other” Dao in Town: Early Lingbao Polemics on Shangqing&lt;br /&gt;
*Paul Crowe：Dao Learning and the Golden Elixir: Shared Paths to Perfection&lt;br /&gt;
*Paul Van Enckevort：The Three Treasures: An Enquiry into the Writings of Wu Shouyang&lt;br /&gt;
*Eske J. Møllgaard：Sage-Knowledge and Equality in the Zhuangzi&lt;br /&gt;
*E. Leslie Williams：Becoming One with the Dao: Meditation in Daode jing and Dōgen&lt;br /&gt;
*Kenneth S. Cohen：Spirit and Life in Balance: Zhao Bichen’s Lasting Influence on Qigong and the Martial Arts&lt;br /&gt;
*Ju Keyi, Lü Xianlong, Denis Mair：Tiandi jiao: The Daoist Connection&lt;br /&gt;
*Christopher Cott：Interviewing Daoist Masters: A Reality Check&lt;br /&gt;
*Martin Schönfeld：Laozi and the New Green Paradigm&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
==第八期（2015年）==&lt;br /&gt;
*Paul Fischer：The Creation of Daoism&lt;br /&gt;
*Thomas Michael：Ge Hong’s Xian: Private Hermits and Public Alchemists&lt;br /&gt;
*Ping Yao：Changing Views on Sexuality in Early and Medieval China&lt;br /&gt;
*Patricia Eichenbaum Karetzky：The Transformations of Xuanwu/Zhenwu&lt;br /&gt;
*Guo Wu：The Record of Purity and Brightness: Versions and Contents&lt;br /&gt;
*Lai Chi-Tim：The Cult of Spirit-Writing in the Qing: The Daoist Dimension&lt;br /&gt;
*Livia Kohn：The Inspirational Laozi: Poetry, Business, and the Blues&lt;br /&gt;
*David Mclachlan Jeffrey：Daoist Wisdom for Teachers: A Diary Study&lt;br /&gt;
*Brian Hoffert：Beyond Life and Death: Zhuangzi’s Great Awakening&lt;br /&gt;
*Denis Mair：A Storehouse of Changes&lt;br /&gt;
*Hirsh Diamant, Steve Jackowicz：Daoist Martial Alchemy: The Yijin jing at the Tongbai Gong&lt;br /&gt;
*Michael Saso：The Daoist Jiao Celebration&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
==第九期（2016年）==&lt;br /&gt;
*Erica Brindley：Spontaneous Arising: Creative Change in the Hengxian&lt;br /&gt;
*Steven Burik：Comparative Resources: Continental Philosophy and Daoism&lt;br /&gt;
*Friederike Assandri：Stealing Words: Intellectual Property in Medieval China&lt;br /&gt;
*Shu-Wei Hsieh：Possession and Ritual: Daoist and Popular Healing in Taiwan&lt;br /&gt;
*Georges Favraud：Immortals’ Medicine: Daoist Healers and Social Change1&lt;br /&gt;
*Marnix Wells：Daoism Not as We Know It&lt;br /&gt;
*Scott Park Phillips, Daniel Mroz：Daoyin Reimagined: A Comparison of Three Embodied Traditions&lt;br /&gt;
*Andrew Colvin：Nonaction and the Art of Blending: Daoist Principles in Aikido&lt;br /&gt;
*David Hessler：Teaching with Dao&lt;br /&gt;
*Avery Morrow：How Not To Be Thinged By Things&lt;br /&gt;
*Yanxia Zhao：Daoist Longevity and the Aging Society&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
==第十期（2017年）==&lt;br /&gt;
*Yumin Ao, Ulrich Steinvorth：Zhuangzi and Wittgenstein on the Self&lt;br /&gt;
*Thomas E. Smith：Xu Mi’s Network: A Different Perspective on Early Higher Clarity Daoism&lt;br /&gt;
*Patricia Eichenbaum Karetzky：The Formation of a Daoist Pictorial Iconography in the Tang: New Images from the Longmen Caves&lt;br /&gt;
*Shih-shan Susan Huang：Daoist Seals: Part 1: Activation and Fashioning&lt;br /&gt;
*Ekaterina Zavidovskaia：Daoist Ritual Manuals in Vietnam: Activating Stars and Trigrams&lt;br /&gt;
*John Leonard：Daoist Literary Criticism&lt;br /&gt;
*Esmaeil Radpour：Daoist Views of the Dream State&lt;br /&gt;
*Wang Xiaoyang, Bao Yan, Livia Kohn：Ways to Immortality: In Popular and Daoist Tales&lt;br /&gt;
*Steve Jackowicz：Physics, Physicality, and Physiology: The Foundation of Daoist Self-Cultivation&lt;br /&gt;
*Ron Catabia：Daoism and Peace Psychology&lt;br /&gt;
*Livia Kohn：The American Transformation of Daoist Cultivation&lt;br /&gt;
*Wei Yanli, Livia Kohn：The Caishan Goddess Temple: Then and Now&lt;br /&gt;
&amp;lt;br&amp;gt;&lt;br /&gt;
==第十一期（2018年）==&lt;br /&gt;
*Sharon Y. Small：A Daoist Exploration of Shenming&lt;br /&gt;
*Gabriele Libera：Losing What &amp;quot;Me&amp;quot;?: An Existentialist Look at the Ego in the Zhuangzi&lt;br /&gt;
*Shih-Shan Susa Huang：Daoist Seals, Part 2: Classifying Different Types&lt;br /&gt;
*Ilia Mozias：Immortals and Alchemists: Spirit-Writing and Self-Cultivation in Ming Daoism&lt;br /&gt;
*Ekaterina Zavidovskaia：Daoist Ritual Manuals in Vietnam: Self-Cultivation, Cosmic Steps, and Healing Talismans&lt;br /&gt;
*Ashley South：Daoism and Peacebuilding: Toward an Agenda for Research and Practice&lt;br /&gt;
*Jeffrey Meyer：A Call to China: Daoism in Modern American Fiction&lt;br /&gt;
*Yunrou：YIN: A Love Story: Daoist Fiction by a Taiji Master&lt;br /&gt;
*Ron Catabia：Dantian Cultivation and the Hard Problem of Consciousness&lt;br /&gt;
*Şerban Toader：A Romanian Spiritual Seeker's Growth: From SciFi Readings to Neidan&lt;br /&gt;
*Donald D. Davis：Meditation, Taijiquan and Qigong: Evidence for Their Impact on Health and Longevity&lt;br /&gt;
[[Category:道教學術期刊]]&lt;/div&gt;</summary>
		<author><name>Chishing.lee</name></author>
		
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